April 22, 2009

Go away now, come back later!

This blog isn’t being updated nearly as often as I’d like, and I’m considering moving over to Blooger in the event of my becoming more productive. We’ll see.

Anyhow, for the meantime, on the off chance you’ve found this blog and are interested in what I’m getting up to, I have a few more well-kept web presences. Follow me on Flickr, Tumblr and Twitter for photos, multimedia and updates on life in general, respectively. I also maintain a Google Profile, which is a repository for my bio and has links to all of my ongoing projects.

I plan to start writing more in the future, and if any of those projects get realized I’ll be blogging more stories, articles, reviews and scripts. Until then it really doesn’t make sense to look after this blog as I don’t think it gets that many views.

So long, for now…

December 22, 2008

Black Kids Review – 26 October @ ABC

When I see them on stage, it has been a little over a year since they played the Athens pop festival, thier fist gig outside of their hometown in Jacksonville, Florida. Things have been skyrocketing up and up for Black Kids, and already it’s business as usual.

After the Pop Festival, Black Kids have been all the rage. Pretty much every music mag in the business was singing the praises of their EP, Wizard of Ahhhs, which they released for free on Myspace. Reggie Youngblood, lead vox and guitar, doesn’t chalk it all up to the ‘net though.

“Uuh, yeah… I think the Internet’s overrated,” Youngblood sighs, as if he’s been swatting away questions like this all day. “We had songs on the Internet before Athens [pop festival], so we had to physically go places. The Internet is a tool, but still people are the most important thing.”

But enough of this! Networking schmetworking, I’m curious about the music. All these indie bands sound the same today, as if they were trying to be Talking Heads if Talking Heads were a really bad and generic pop band. Overdone synths, airy and warped vocals, etc.. I ask Yongblood, what is up with this?

“Could be because most of us grew up in the 80’s, and we were cognizant of the music,” he says. But he’s not sure: “That might be it, that kind of feel… most of us never thought that indie equates to ‘good’ and mainstream equates to ‘bad’… we’re not really averse to most pop music.”

The show itself is disappointing. I asked Youngblood why he thought Black Kids were getting to be so popular- was it just luck that their generic 80’s-style indie pop was in vogue at the moment and people were catching on, or did they bring something special to the show?

Youngblood mumbled something about how “we do a fun show,” but I’m not buying it. Youngblood sung the praises of good indie to me, extolling the virtues of that raw sound making people get up and dance- how “people love watching four to five dudes on stage making it happen.” 

Well, Black Kids didn’t make it happen. Youngblood, to his credit, at least seemed to try, jumping around a little, sometimes almost getting into the groove. Aside from that, nobody else up there even came close. Dawn Watley (vox and keys) was trying to do the whole Tina Weymouth kinda-cute-but-rockin’-awkward-bassist thing, but she ended up looking like an uncoordinated poseur who couldn’t hit the right notes most of the time. (No wonder her and Ali Youngblood – backup vox and keys – were turned way down…)

As the set went on, song after song and people still weren’t going wild, Youngblood kept imploring the masses “can we please have a party here? It’s Sunday night!” I caught more than a hint of sarcasm in his voice when he mumbeled “I think we’ve been here five times this year. It gets better every time.”

Who cares if Rolling Stone says they’re a band to watch? How much of a big deal is it that we have another Talking Heads cum 80’s indie pop wannabe on our hands who’s getting a little radio play from the internet they seem to think is overrated? Well, as I stand in the back of ABC, I notice that the largely unresponsive crowd are taking more photos of the disco ball than they are of Black Kids.

December 16, 2008

film & maine

so walmart devs my three rolls of fuji superia 100 and scans ‘em to a cd all for $8. as much as I hate giving those people any of my money, it sure beats £2.50 a roll for dev only in glasgow.

jon

jon

kathy

kathy, classy as ususal

no2id

stephen leaves his mark?

light-guu

jeziz. it was sunny out in glasgow for once. walked into town.

capitol-light

glasgow-light

gay-heros

hah.

 

then I went to london:

boxes

london-subway

london-subway-2

they have real subways!

steps-london

guy-burrough-market

cheese

cheese!

 

then I went back to Glasgow and it had snowed:

crisps

 

enter Maine. the d90 (part xmas gift, part bigass loan) is taking some getting used to.

toyota-d90

leaves-d90

windo-d90

there was an ice storm the day before I got home. everything was covered in ice, naturally.

 

more purty digital pix and blinding light from the metz 202 (’70s era paparazzi flash)

 

October 31, 2008

I went to Poland a while ago…

Below is an attempt to ramble on a bit about my visit to Poland last year. It’s not very lucid, and there’s a hell of a lot more that I did & saw that hasn’t made it to the finaly typed/made sense of stage yet, so bear with me.

Stutthof

Stutthof

I want to be back in Poland. Gdansk, big old city (a thousand years old if it’s a day) of brick and steel and concrete and mammoth Soviet-style flat blocks, ones with gaudy tacky but warm and cheery rooms that smell like fruit vodka and pickled herring and cabbage stew, colossal tombs of socialism in this land with strange rattly lifts that seem to me to be more dangerous than taking the stairs. It is always sunny in Poland, I have decided, and everything is in pastel colors. Nothing here is deep dark Red or bright strong Blue- there is no piercing Black or deafening White. Everything comes in muted and creamy pastel colors.

Seems that I usually work up the nerve to go somewhere every spring. I have two or three weeks off then anyway, times when there aren’t even any classes to skip, and the end of the year is close enough so I can spend what little money I have left on a cut-rate airplane ticket to a place yet unknown. Poland was my friend Marta’s idea, mostly because she wanted me to see where she lived and I could stay in the living room of the flat she and her mother lived in. So, pressing into my purple leather seat in an airplane full of Polish people, I leave Glasgow at midnight…

It is cold after visiting the concentration camp’s remnants at Stutthof, even though the sun is shining. Marta’s mother is a bit of a history buff, and has shown me all around Gdansk, a castle a few hours out of the city and now this, Stutthof. Strangely enough I can’t feel horror while walking from room to room, trying as hard as I can to recreate the evils enacted here some 50 years ago. When I make my way to the gas chamber though, and the crematorium though, everything stops. Here are those Blacks and Whites, Reds and Blues. Nothing is right, and everything is topsy turvy. The silence is maddening and I swear I can smell gas. I have nightmares.

How kind people are in this world, though. I am taken into a good friends house and put up on the luxury of a fold-out couch (I sleep like a rock for about 9 hours a night), waking up each day to that pastel sun fresh air on the balcony and breakfast. The Poles do a lot of things right; it is not uncommon for men to sport moustaches, they have this lighthearted sarcastic air about them, and they take breakfast seriously. In the UK one gets a trough of greasy potatos, slimy beans, tomatos, and some meat pressed into the form of sausages. I love that breakfast, but in Poland they do it better. Rolls, butter, ham, cheese, salads (salads?), pickled herring (a newfound delecacy), juice, fruit, coffee, pretty much anything and everything laid out on the table for you to pick up with your hands and eat until you’re fuller than full. There will be food left over.

After we leave the camp (wreathed in that endless sunlight, set in a idyllic forest that hides something we can never forget no matter how much we want to), we go to the seashore of the Baltic sea and have waffles. Even the candied strawberry goop coating mine seems to have lost its deep red hue (red of course being the color of passion and, naturally, blood) and has mixed with the whipped cream to become a kind of pink, a warm valentine’s “I love you” pink. Perhaps a more astute or Awake person could laugh at this, or cry. But I do neither and instead look out to sea.

October 25, 2008

Wire review 11 Sept 2008

These guys are 50-something but who cares? By all rights, these guys should be dead, but after all these years they manage to keep rock alive.

At first I was skeptical— post-punk before punk was over? Transcending the genre in the mid ‘70s? Snobbish elitism comes to mind. As I waited in line around a bunch of guys who coulda been my dad (and well well hey, the 70’s were a crazy time… who knows?) I figured that I was going to waste a few hours  listening to some has-been fogeys while standing amidst a sea of fat balding dudes in expensive leather jackets.

But when Wire comes on stage and starts to play, none of that matters.

Colin Newman (lead guitar and vox) managed to still kick out the jams, jumping around on stage and waving his arms like a madman, an impressive feat made all the more meaningful when I notice a brace on his upper forearm.

The rest of the band is jumping around & dripping sweat harder than some hot young guns less than half their ages would. Robert Gotobed (drums) has this eerie calm look of concentration on his face as he keeps a mammoth beat while Graham Lewis (bass) is a little less animated but still takes up his fair share of the stage. Only Margaret Fiedler McGinnis, the touring rythm guitarist, seems out of place as if they picked her up at a bus stop right before the gig.

Pretty good tunes, too. Their songs have a driving buzzy sound and screechy whining vocals reminiscent of early punk (a la Buzzcocks or Sex Pistols), but with heavy reverb and a deeper bass sound that stretches them past that simply angry/shallow sound that normally makes the nut for classification as punk.

Of course, this is art punk so anything goes. While they’re known to play everything from straight-ahead punk to synth-laden dirges that helped give the goth crowd some solid footing, this night it’s just the four of them roaring through what amounts to a lot of their back catalog.

With 11 albums, 23 eps and a handful of comps, live albums and other doo-dahs under their belt, Wire has managed to inspire the likes of Ian MacKaye (he covered “1 2 X U” when he was in Minor Threat…) to Blur, and I can hear it all in their music: from melodic to screechy to getting a glass bottle (or at least a jagged half of it) shoved in yr face, they manage to encompass a musical range that a lot of their early punk brethren never had. This, of course, saved them & enabled them to keep doing new stuff while everybody else was just getting fat, addicted to heroin & repeating themselves.

Newman manages to transition from deep & soulful crooning on “Too Late” to all of a sudden hopping around (and I mean literally!) on stage while the rest of the band keeps the beat with “Patient Flees”. Gotobed sometimes looks like he’s dozing off to sleep because he plays with his eyes closed and he’s almost stationary- his slender but sinewy arms waving around like mechanical chicken seperators give him away though.

And that sound! The roaring echos of strings mixed with substantial whacks and thumps from the drums mix well with a concert hall that’s situated under a railway station. There is a frenzy and zeal mounting in the audience almost as soon as they start playing- you can feel the energy rippling through the crowd.

I must admit that I was a little disappointed that there were no synths at the show, or any of the other accoutrements that Wire is known for. While it’s refreshing to see 4 people whamming away onstage, a guy can want a little something something, eh? Oh well, I came unprepared & got blown away. Wish that happened more often!

By the time the entire crowd is roaring along with Newman the chorus for “I Can’t Understand,” I can’t understand any more! Chalk it up to my lousy hearing or my getting swept away in the raucous energy of a bunch of 18 year old punks in 45 year old men’s bodies, but I can’t really hear what’s being sung any more… instead I’m bathed in wave after wave of sonic exhilaration:

“I CAN’T UNDERSTAND! I CAN’T UNDERSTAND!”

That is punk, ladies and gentlemen! When the music/crowd/energy thing hits the right combination, you forget how old you are, if you left the hob on, how your stock portfolio is doing, and are instead transported back to them glory days when you hang out in shitty clubs smoking bent rollies.

And Wire does that, because they were there then and they’re here now. They have run the gauntlet, so to speak, and have survived, and came back to tell us about it.

The historical implications of this are great. At one point some old dude shouts out a request, and Newman grunts “We haven’t played that song since 1979, I’m afraid.” Yowzah! Wire has been there & done that, which enables them to play with energy & style but in a more reserved, relaxed style. I’m hearing tracks off of Pink Flag (their 1st release) as well as watching ‘em grind out songs from Object 47, which came out in ‘08.

The fans love it, too. It is both embarrassing and endearing to see a bunch of 45-year-olds actually moshing as Wire rallies for a second encore (name some young bands that can work out that hard!), playing “1 2 X U” so fast it was as if they were ripping a lit firecracker out of their ass.

I stood behind a guy in line who I pegged as a total loser… the short, chubby bald guy in a generic leather jacket. An obvious Record Junkie and Child of the Past… the person I’ll be when I’m 50 no doubt, (so might as well make fun of it while I can).

Anyway, as I was leaving the gig I heard him say “I’ve been waiting to see that band for 20 years.” I guess the wait was worth it.

___

Going to see Black Kids tomorrow night at ABC, will be interviewing either some or all of the band. Never heard their stuff before. This’ll be an adventure.

Z

May 18, 2008

2 years

warsaw

And and and! That’s two years very nearly outta the way (down the drain?)! Politics exam finished today and a great weight off of my shouldrs. No more worrying about International Relations! In two weeks I’ll be up in the Mountains, but before that there’s still History and English Lit to slog through. A trip to London in between the two tho- that’s going to be fodder for some interesting photoing and wording. I have a few things I’m working on, hopefully will be uploaded here sooner rather than later. Maybe if I get inspired more fiction, essays, travelouges, and articles previously unpublished will make their way to this neglected lil’ page. Heh, as if! Tomorrow is a free day out and about, minimal paying attention to the literature I need to be a genius on, maybe polishing of these stories. Nothing’s been sounding right lately, but I haven’t been putting much effort in so I shouldn’t be complaining.

November 20, 2007

027

Yeah, well what else to say? A stab at futility here… I haven’t written anything worth publishing here for close to half a year, so one begins to wonder… It’s not that I’ve stopped writing, it’s more that I seem to have stopped having anything to say. Maybe I’m not looking close enough. Maybe I’m not looking in the right place. Maybe maybe maybe. Second guessing won’t do it.

 Still, when I look in the mirror, I see a writer. So it might not hurt to keep on going with that assumption. More soon.

April 14, 2007

Listen. Kurt Vonnegut has become unstuck in time.

Selfishly, the first thing I thought when I heard that Kurt Vonnegut had died was that I would never be able to meet him in person, which depressed me a lot. Certainly, I felt sympathy for his family and loved ones, and I wish them all the best. But, having been a Vonnegut fan ever since I was able to think critically about literature, I had always hoped that I would be able to meet the man who defined a whole new realm of thought to me- cheerful pessimism.

His books are full of sad characters making their way though a life that has not exactly treated them how literature should; neither glamorously nor ruinously. He dealt with people that seemed – despite his simple and sparse descriptions of them – real. The dramatis personae of his works, many of whom were recurring and became friends to me, were old men with nowhere else to go, women whom nobody loved, misfits and losers all around. Yet there was something lovable in the way he treated all of them, like a creator looking over his flock, and while unable to change their lives for the better, always gently leading them through the toils of life.

Edward Abbey once wrote that “a pessimist is just an optimist who is well-informed,” and this is, I think, an apt description of both Vonnegut and his literary works- someone who wanted to see the world through rose-coloured glasses, but knew too much to take that plunge. Probably his experience as a POW in World War II and his witnessing of the fire-bombing of Dresden were enough to put him off of sugar-coating anything for the rest of life. His work traversed some of the darkest spots of human existence, yet still even the most depressing facets of life he treated with the gentle cynicism of “so it goes.”

So while I’ll never meet you, Kurt, I can take solace in what the Tralflamadorians in Slaughterhouse-Five have taught us: that you and your universe of volunteer firemen, intergalactic travelers, smut sci-fi writers, industrialists, and madmen are, and always will be what they are when they are, for all time. You live on and in your works, and will continue to make me think and laugh.

“Everything was beautiful and nothing hurt.” So it goes.

January 14, 2007

A Salute to General Ambrose Burnside.

[Editor's Note] I’m going to be doing a short series of reviews & mini-essays about books and people who I feel deserve attention from me, sort of as a pilot column that I’ll be pitching to the university paper seeing as I really need to be writing on deadline and all that. But enough of the silly banter, here’s the meat.

This week I was going to inagurate this series with a tribute to the late Dr. Hunter Thompson, focusing mainly on his role in the creation of Gonzo Journalism and his book The Great Shark Hunt. But, that can wait until later. Bigger fish have made themselves available for frying.

Instead, I feel that General Ambrose Burnside should be the center of the media spotlight this week. A Union Army general and commander of the of the Army of the Potomac in the Civil War, Burnside was a rad dude.

My first exposure to Gen. Burnside was this summer, during a cookout when a family friend arrived and told me that I was looking “very Burnsidian,” an adjective that I think was created on the spot which was quite appropriate, I think.

To the best of my and anybody elses knowledge, Burnside was the first man to wear his facial hair in such a manner. This being the case, it was decided that said style should be named after him. Some unnamed bard decided to split his name in half and then rearrange it so that the resulting hairdo would forever be known as the Sideburn. Later classifications have dubbed the specific style that the General and I sport as the “Happy Mutton Chop,” but I have no fucking clue where that comes from.

 

 

Long after that barbeque, Gen. Burnside’s name, image, and legacy have remained lodged in the back of my brain as being one of the greatest men in the history of facial hair development who has yet to be named and publicly recognised as being the forefather of such a terrific hairstyle.

Since his pioneering work, there has been a great deal of continuation in his work. New styles have been created, variations on a theme in length and trimming.

 

 

 

 

So, congratulations, Ambrose! 126 years after your death, I hereby commend you on being the inventor of the Sideburn and by extension, the Mutton Chop, a hairstyle with which I have chosen to grace my face for the last year. Selah.

Yours until next week,

Excelsior!

Benzo

November 4, 2006

Gunfire and red wine.

The gunfire was endless last night.

Each night this week, and last, at roughly 8 o’ clock, a barrage of what sounds to be small-arms fire begins to flare up just over the hill, possibly emitting from the tenant housing several blocks away. As the evening wears on more noises persist, and the relentless crump of gunfire begins to sound like it’s coming from rifles and possibly mortars.

The first time I heard the shots, I figured that there was just some shooting happening. Noting unusual about it, although the sheer volume of it made me question myself. Gunfire in Glasgow? God damn it, man, this is the stabbing capital of Europe, not guns! Nevertheless. I was not so much scared for my own safety as I was annoyed at the persistence of the noise. Here I was trying to write and these hooligans kept on taking pot-shots at one another.

As the night grew into nights, and the gunfire always returned around the same time, I managed to work myself into a habit of ignoring the artillery bursts and blasts, still getting down a good few thousand words each night. I am, after all, a professional, and my work is very important to me.

Last night that all changed. I was secluded in my room, as is my custom, finishing the day’s dispatches, and beginning to make some plans for a trip to the local pub when a knock came at my door. What could have only been the military occupation of the last week or so had made me wary, and I always checked though the peep-hole before releasing the dead-bolt and letting any hooligans in.

To my delight, it was two neighbors from the floor below, with a bottle of good £5 wine; far better stuff than the cheap swill I usually drink. I let them in immediately, and closed and locked the door behind them.

“Keeping a tight ship tonight, eh, Benzo?” one of them said.

“You know it. Goddammit, if you don’t keep yourself locked up at this hour, only God knows what type of trouble you’re inviting,” I said.

They laughed, and we went into the kitchen to set about working on the bottle of wine, which I said needed to be done relatively fast so that I could finish my writing and manage a trip to the pub for a few pints before midnight.

And so the next hour went merrily past, all three of us indulging in the wine, a crisp red, Spanish in origin, I think, and discussing the weeks events in politics and film. As usual, the Democrats manage to muck everything up that’s been handed to them, and the Republicans continue on their path of world domination and Righteous Oppression. Tony Blair still seems to be wanking in power for as long as he can, and various people in both his own and the opposition parties are champing at the bit for a taste of power. The elections in both the US and the UK are going to be marvelous bloodbaths, and I, for one, can’t be bothered to make a guess at who is going to win what. All I can say is that we’d better not expect anything, because strange and horrifying stuff is going to happen.

After a while, and half the bottle, a magnificent *CRUMP* filled the air, and right outside of my kitchen window, a giant red phosphorus arrow pierced the sky about a mile away.

“Holy shit!” I cried, hitting the deck while managing to spill only a little of my red. War or not, I wasn’t going to go about wasting fine drink. “The artillery is here. They’re launching flares! This means that there’s a helicopter landing. Infantry is coming! Martial law over the entire West End by sundown tomorrow! God DAMMIT, why aren’t you fools on the floor? The mortar fire is going to start any minute… we need to get to be basement, somewhere safe. Bring that wine.”

And, as I predicted, several seconds after I said that, another and another bang filled the sky. Flares were going off everywhere, I could tell from the floor, and artillery rounds were smashing the very foundations of the earth. A foreign country invading? Couldn’t be possible. This had to be a terrorist attack, some fools had gotten their hands on second-hand Soviet mortars for sure and were going to town with them. What has this world come to?

But my compatriots just looked down at me and laughed, drinking more wine. Were they too drunk to grasp the situation, I thought? Fair enough, the situation was too far progressed for me to do anything about it on the floor. I rose up again and joined them above-decks, refilling my wine and looking out the window, looking at the flares, which seemed mighty inefficient and looked a lot like…

“Fireworks, Benzo,” one of them said. “People have been launching fireworks all week over on Maryhill. There’s a store you can buy them at, down in City Centre. We’ll go get some tomorrow.”

And that was that. Now it’s Saturday afternoon, and it’s high tide I make it out of my flat in search of some Commercial Grade Entertainment Explosives and a bottle of whiskey- I have a party to go to tonight, and I think it’s only as fair that they get as good a combat experience there as I did last night.